Review
Then came an abrupt about-face, a loose, sensuous spin across the dance floor via Baron Cimetière's Mambo. Conducted playfully by Robert Carnochan, this new work by Austin's Donald Grantham whirled us into a splashy world of reckless abandon, the frisky brass in the lead, flirtatiously bouncing hither and yon. Austin ChronicleAustin Chronicle