December 5, 2019
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Review
Then came an abrupt about-face, a loose, sensuous spin across the dance floor via Baron Cimetière's Mambo. Conducted playfully by Robert Carnochan, this new work by Austin's Donald Grantham whirled us into a splashy world of reckless abandon, the frisky brass in the lead, flirtatiously bouncing hither and yon. Austin Chronicle

Austin Chronicle