Commissioned by a Consortium of Alabama Wind Ensembles to commemorate the tragic fire at Notre-Dame de Paris in April 2019. The piece is based on an Ave Maria, sung by the gathered crowd outside the cathedral as it burned, and a 17th century hymn associated with Mary. A live recording will be added following the premiere in fall, 2020.
Commissioned by a Consortium of Alabama Wind Ensembles to commemorate the tragic fire at Notre-Dame de Paris in April 2019. The piece is based on an Ave Maria, sung by the gathered crowd outside...
Dos Havanas, a new work for solo bass trombone for Jonathan Warburton in two movements: I. Cohiba esplindido, II. Bolivar bellicoso fino. A live recording will be posted following the premiereasd.
Dos Havanas, a new work for solo bass trombone for Jonathan Warburton in two movements: I. Cohiba esplindido, II. Bolivar bellicoso fino. A live recording will be posted following the...
Based on Lisel Mueller's tender poem about this relationship, the song employs Brahms' Intermezzo, Op. 117, No. 1 as the "accompaniment" for the setting of the text. A live performance will be posted following the premiere of the work.
Most marches are bright, breezy affairs designed to efficiently and confidently move a group of people from one place to another. AN UNEASY MARCH—marked “Edgy, restless”—is much less certain of itself. It’s a tongue-in-cheek march for people who are not sure where they’re going, why they’re going, or what they’re going to do when they get there. LIVE RECORDING AVAILABLE SOON.
AN UNEASY MARCH was commissioned by the Aspire Consortium.
Most marches are bright, breezy affairs designed to efficiently and confidently move a group of people from one place to another. AN UNEASY MARCH—marked “Edgy, restless”—is much less certain...
The title AMBER SKY was suggested by the sometimes subtle, sometimes dramatic sunsets visible from my studio windows. I attempted to depict both types in this lyrical, elegiac work.
AMBER SKY was commissioned by the Utah Music Educators Association, and is dedicated to my wife, Jeanne.
The title AMBER SKY was suggested by the sometimes subtle, sometimes dramatic sunsets visible from my studio windows. I attempted to depict both types in this lyrical, elegiac work.
Commissioned by the Ronald Reagan High School Band and Texas A&M University, and premiered at the 2018 Midwest Clinic. The work is based on three 17th century German chorales. Recording is by the Texas A&M Wind Symphony conducted by Timothy Rhea.
Commissioned by the Ronald Reagan High School Band and Texas A&M University, and premiered at the 2018 Midwest Clinic. The work is based on three 17th century German chorales. Recording is by...
This work--in the New Orleans brass band, second line tradition--is similar in style to the composer's J'ai été au bal, but not as long or as difficult.
Commissioned by the Sandia High School Wind Ensemble (Albuquerque, NM), Tyler North, conductor.
This work--in the New Orleans brass band, second line tradition--is similar in style to the composer's J'ai été au bal, but not as long or as difficult.
Commissioned in celebration of the 70th anniversary of the Midwest Clinic and in honor of Richard Crain. Premiered by the U. S. Marine Band, LTC Jason Fettig, conductor, at the 2016 Midwest Clinic.
Recorded by the Marine Band on Mark Records. Look for a forthcoming recording by The North Texas Wind Symphony, Eugene Corporon, conductor.
Commissioned in celebration of the 70th anniversary of the Midwest Clinic and in honor of Richard Crain. Premiered by the U. S. Marine Band, LTC Jason Fettig, conductor, at the 2016 Midwest...
